Технические характеристики
[Text available only in English] # until the end of memories
**Installation**
A sculpture of paper: crumpled, discarded-looking, thrown away and left — and from it, rolls of paper unfurl and hang. At its centre, a web of wire: the structure beneath, the thing that does not yield, the nervous system that outlasts what surrounds it.
Is it trash, or an accumulation of memories? Without context, there may be no difference.
Onto this surface, details of a city are projected. Asphalt. Urban texture. A collage of photographs — stills, frozen moments, a life held in place. Then one image begins to move. Then another stills. The dramaturgy is continuous but not linear: photographs become film, film becomes photograph, without warning, without logic. This is not malfunction. This is how it feels.
**until the end of memories** is an installation set inside an urban jungle — and inside a mind whose parameters have shifted. From the concrete and noise of the city, memories drift: into rainforest, into open water, into spaces that belong to no fixed geography. A jungle. A sea. Somewhere that may have been visited, or imagined, or inherited from another life entirely. The still and the moving exchange places continuously — a dramaturgy that follows the rhythm of a consciousness no longer bound to linear time.
A voice drifts through the placelessness, through these displacements. Memories and inventions mingle. The city and the rainforest overlay one another. A street corner becomes a riverbank. A window becomes a canopy. The coordinates have come loose — not disappeared, but untethered, drifting freely between what happened, what was imagined, and what was never quite either.
The paper moves in the air — dense, resistant, a body of compressed time that looks like something no one thought worth keeping. Our daily life. Strips of paper reach toward the floor, unresolved, still in the process of becoming or disappearing. Light passes through paper and wire differently — one diffuses, one holds its edges. Both are unreliable in their own way. Projected footage of city and nature shifts across the surfaces, finding different textures in the folds, the creases, the open plane. Three sonic layers move through the space: electronic music composed for the installation, recordings from the jungle — insects, water, canopy — and a voice-over speaking personal memories that drift between cities and forests, between the certain and the invented. The voice continues, certain of details that no longer match any single location.
Dementia is often described as losing one's way. **until the end of memories** suggests something more precise: the map still exists, but the territories have quietly swapped places — and keep swapping, without end, without arrival.
*Video installation · paper and wire sculpture · projected image and sound · electronic music · jungle sound · voice-over · photo collage · urban and nature footage*
