[Text available only in English] ( ) is Jeremy D. Slater, a multi-disciplinary artist working in the areas of sound, video, computer art, performance, and installation. Born in Reading, England and a graduate of both SUNY College at Buffalo and School of Visual Arts with an MFA in Computer Art. Performances include sound and live performed video that is ambient and sometimes interactive/reactive. Video work includes single and multiple channel videos for screening and installations with sound and ephemeral sculpture. He is currently curator of "sonic front", a series exploring electroacoustic improvisation, electronic music, and sound art. He's curated numerous performance events and gallery shows in New York including “A Sound Show” at Front Room Gallery, the sound/video performance series “kere.u” and “FLOW”, “Sun Khronos” at Millennium Film Workshop, and “Video as an Instrument” at The Tank and Supreme Trading Gallery. Jeremy Slater was one of the 1999 recipients of the Computer Art Fellowship from New York Foundation of the Arts (NYFA) and ha attended the Experimental Television Residency, was guest musician at Watermill Center and HERE with Cave/Leimay, and was artist in residence at Seoul Art Space_Geumcheon in Seoul, South Korea. He has exhibited and performed in the United States, Canada, England, Germany, France, Italy, South Korea, and Japan.

Jeremy has exhibited and performed nationally and internationally including: music for "Paradiso", a performance with Leimay at Watermill Center (Watermill, New York), video at White Box Gallery (New York), music for "Floating Point : Waves" (CultureMart) with Leimay at HERE Art Center (New York), sound for "Radio Gowanus" at Cabinet Gallery in Brooklyn, NY for "Postcards From Gowanus", Music for dance performances by Yuko Kaseki, Minako Seki, and Takuya Muramatsu, "Situ’arte” Pátio da Inquisição" (Coimbra, Portugal), "Transnatura Videolab: Imagem Corpo - Corpo Formal" (Semide, Portugal), "Electrochoc Festival" (Rhône-Alpes, France), "Digital Art Weeks SoundScape Programme" (Zürich, Switzerland), "Neighborhood Public Radio (NPR)" sound performance at The Whitney Biennial (New York, NY), Videos with Perpetual Art Machine [PAM] at Lincoln Center and ScopeHamptons, TuneOutside ( ) performance at Wave Farm in Acra, NY, video screening for "Video as Urban Condition" (Linz, Austria), and sound/video presented with the "Flatland Limo Project" (Melbourne, Australia and Armory Art Fair, New York), Ear to the Earth Festival performance at Judson Church with NYSAE (New York Society for Acoustic Ecology) as well as numerous performances with sound and video in the United States, Canada, England, Germany, Korea, and Japan. He's performed and/or exhibited at CAVE Art Space (Leimay, CaveActs), Front Room Gallery, Fuse Works, Diapason Gallery, Issue Project Room, The Whitney Biennial (NPR), Albright Knox Art Gallery (Music is Art), PS1/MoMA, Share, Hogar Collection, Microscope Gallery, The Kitchen, Millennium Film Workshop, Here Art Center, Location One, Cabinet Gallery, opensource, White Box Gallery, Grace Exhibition Space, Greyzone, Black and White Gallery, Sideshow Gallery, Gallery Merz, Guild Hall, Perpetual Art Machine, Bridge Art Fair, Fountain Art Fair, The Tank, Galapagos Art Space, Public Assembly, Collective Unconscious, Chashama, Electronic Church, KuLe, Staalplaat, Loophole, Tonic, The Stone, fotofono (Reuben Noise), Goodbye Blue Monday, monkeytown, Zebulon, Union Hall, Flushnik, Plan B, Theater for the New City for The New York Butoh Festival, Puffin Foundation, Clink Street Gallery, 7hz, Myungdong Gallery, Yogiga Expression Gallery, Seoul Art Space_Geumcheon, Palisades, Torus Porta, Brooklyn Museum, Soap Box Gallery, Odetta Gallery, Green-Wood Cemetery for Crossing Over (Beat Festival), La Générale in Paris, and Nueovo Cinema Aquila in Rome (LPM Festival). www.jeremyslater.net

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